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START TIME: 1:00 (Pacific). Virtual doors open 12:45. PAINTINGS FOR CRITIQUE (members only) DUE DATE: Feb 29, 2024 PAINTING REFERENCE INFORMATION FROM CATHE: CATHE GILL REFERENCE MATERIAL SEND PAINTINGS FOR CRITIQUE TO: azr@nwws.org Catherine Gill brings her experiences as an instructor and accomplished artist to February's AZR, with a focus on color harmony. Her supportive critiques […]
FEBRUARY 27, 2024 - We are excited to bring the energy and enthusiasm of Keiko Tanabe to NWWS! MEETING START TIME: 7:00 (Pacific time) Keiko Tanabe, AWS, NWS, AIS, LPAPA What a thrill to welcome Keiko Tanabe as our demo artist in February! Japanese born, her family was an art loving family and it was […]
Discover the possibilities of Watermedia & Acrylic in this special event sponsored by Golden Artist Colors & co-hosted by Northwest Watercolor Society. Instructor: Barbara Dipiro Cost: FREE GOLDEN offers a wide range of paints that are fluid in motion: High Flow, Fluid Colors, and QoR Watercolor. Barbara Dipiro, Golden Ambassador, will explore traditional watercolor techniques […]
START TIME: 1:00 (Pacific). Virtual doors open 12:45. CLICK: CANFIELD WORKSHEET AND READING FOR CRITIQUED PAINTINGS PAINTINGS FOR CRITIQUE (members only) DUE DATE: Jan 31, 2023 SEND PAINTINGS FOR CRITIQUE TO: azr@nwws.org Welcome, Stella Canfield, to February’s AZR event! Stella Canfield knows why she paints. For her, it is because she cannot not paint the eloquent […]
We excitedly welcome Tere Lojero who will she share the vibrant colors of Mexico and the liquid loveliness of her paintings during this 3-hour class. CLASS FEE: $50.00 (MEMBER OR NON-MEMBER) TIME: 10:00 am to 1:00 pm (pacific time) You will learn how Tere approaches cityscapes. She will explain her process, starting with a sketch […]
JANUARY 23, 2024 - We are excited to bring the energy and enthusiasm of Laurie Goldstein-Warren to NWWS! MEETING START TIME: 7:00 (Pacific time) Laurie is one of a handful of artists who has achieved Gold Medal Fellowship status with NWWS. Always artistic, Laurie's early creative life was as a young and accomplished ballet, tap […]
START TIME: 1:00 (Pacific). Virtual doors open 12:45. CLICK: LAITINEN WORKSHEET AND READING FOR CRITIQUED PAINTINGS PAINTINGS FOR LAITINEN CRITIQUE DUE DATE: DEC. 12, 2023 SEND PAINTINGS FOR CRITIQUE TO: azr@nwws.org Welcome, Dale Laitinen, to January’s AZR event! Value is one of the five basic design elements when one is creating a 2-dimensional artwork. It defines […]
START TIME: 1:00 (Pacific). Virtual doors open 12:45. PAINTINGS FOR BANDURKA CRITIQUE DUE DATE: NOV. 2, 2023 SEND PAINTINGS FOR CRITIQUE TO: azr@nwws.org In the second month of “Essentials: The Elements of Design”, Angela Bandurka spotlights the importance of drawing with “Focus: Drawing is Key!” Looking at Angela’s work, you see her drawing skills shine […]
The second "Workshops International" workshop welcomes the textural world of George Politis (Greece). REGISTRATION BEGINS SEPTEMBER 12, 2023. George is a known master of materials texture and composition. In this 3 hour, information filled workshop, he will share how he is inspired by subject matter yet confidently adjusts it to create a more successful and […]
OCTOBER 24, 2023 - We are excited to bring the energy and enthusiasm of Herman Pekel to NWWS! MEETING START TIME: 7:00 (Pacific time) Like many artists, Herman Pekel experimented for a time with abstract expressionism, but he is now well known for his watercolors and oils. He is able to see a painting in […]
START TIME: 1:00 (Pacific). DOORS OPEN 12:45. The first in the “Painting Design: Essentials for Success” series is “Focus: Composition Cornerstones” with the fantastic Anita Lehmann. Lehmann is a skilled instructor who effectively teaches compositional design, often considered a significant challenge in the realm of painting. Her own artwork is used to demonstrate the effective […]
SEPTEMBER 26, 2023 - NWWS is delighted to bring the brilliance of Stan Kurth to our meeting. MEETING START TIME: 7:00 (Pacific) "My definition of intuitive painting is beginning the work without any preliminary thoughts or plans for a particular object or subject as an end, but rather starting on a blank substrate, making marks […]
